Tips and Techniques and the Do's and Dont's for Street Photographers
Street Photographers should always ask permission if they capture anyone in their photographs, they can't take a persons photo without their consent.
Street Photographers should capture something that represents the streets of the place they are in.
They should always come up with their own new ideas.
Street Photographers should always follow the copyright laws. They could get into serious trouble if they do not comply with these laws and they take ideas or photos that are not theirs.
They shouldnt photograph anything rude or offensive.
Ethical Considerations for Street Photographers
Street Photographers should photograph anything racist. They should be careful what, who, and where they photograph. For example, if a street photographer were to photograph a muslim in an offlicence, that would be really offensive and slightly racist, it is juxtaposition. They need to be careful what they take their photographs of. Street photographers should not take pictures of other peoples children, to be respectful. Ethical considerations for street photographers are about representing people in the right way and in a positive way, its about how you portray them. It is also about photographing them in ways that are not offensive, racist, disrespectful to their religion, their age or their sex.
Friday, 27 April 2012
Wednesday, 25 April 2012
Assignment 3 - London Street Photography
These are a few of my best photos from the March 2012 London Trip. I feel these photographs really represent London and the streets of London. They show everyday things that you would see around London and they show some iconic objects and images.

I achieved this image by sharpening it all to make it stand out more. I also adjusted the greyscale to make it almost black and white but heightened the red colours of the red bus to stand out. I think the one red area stands out really well against the black white and grey. The contrast in this photo is really high and it gives it more definition between the light and shaded areas.


I achieved this image by turning it into black and white. I adjusted he colour levels so that only blue would come through and i think it goes really well with the black and white. I think the feel of the underground graffiti scene represents London well. The contrast levels were also adjusted here to make the light parts of the photo brighter and the darker areas stand out against them more.


I achieved this photo by again, adjusting the photograph to black and white, but adjusting the colour levels to only pick out the colour blue. I then added a softened blur to the photo to make the focal point of the photo what is at the end of the long pole. I think this looks really effective.

Assignment 3 - Umberto Verdoliva Street Photographer
All of Umberto Verdoliva’s work is in
black and white and I love black and white photographs because I think they
look really stylish and classy. They look sophisticated. Umberto Verdoliva uses
a lot of shadows in his work to create unusual images and shapes.
Umberto tends to photograph unusual objects and a
lot of close up photographs to really try to trick the mind of his audience.
Each photo is so creative and imaginative, you can see that a lot of thought
has gone into creating each photo.
Verdoliva seems to like using layers in some of his
photos and semi-transparent images to create a really unique effect. I think
this is really creative and it looks great. Also, he tends to make quite a lot
of his work, blurred in some parts, to bring focus to the important focal
points of the photograph.
I chose to look at Umberto Verdoliva because of a
lot of different reasons, one being his use of black and white. I also love the
way he uses shadows in his photgraphs to create different shapes and patterns,
I think he is very imaginative.
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